The psychology of visual art: eye, brain and art
(Book)
Mather, G. (2014). The psychology of visual art: eye, brain and art. Cambridge ; New York, Cambridge University Press.
Chicago / Turabian - Author Date Citation (style guide)Mather, George. 2014. The Psychology of Visual Art: Eye, Brain and Art. Cambridge ; New York, Cambridge University Press.
Chicago / Turabian - Humanities Citation (style guide)Mather, George, The Psychology of Visual Art: Eye, Brain and Art. Cambridge ; New York, Cambridge University Press, 2014.
MLA Citation (style guide)Mather, George. The Psychology of Visual Art: Eye, Brain and Art. Cambridge ; New York, Cambridge University Press, 2014.
"What can art tell us about how the brain works? And what can the brain tell us about how we perceive and create art? Humans have created visual art throughout history and its significance has been an endless source of fascination and debate. Visual art is a product of the human brain, but is art so complex and sophisticated that brain function and evolution are not relevant to our understanding? This book explores the links between visual art and the brain by examining a broad range of issues including: the impact of eye and brain disorders on artistic output; the relevance of Darwinian principles to aesthetics; and the constraints imposed by brain processes on the perception of space, motion and colour in art. Arguments and theories are presented in an accessible manner and general principles are illustrated with specific art examples, helping students to apply their knowledge to new artworks"--
Notes
Record Information
Last Sierra Extract Time | Mar 02, 2024 07:34:10 PM |
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Last File Modification Time | Mar 02, 2024 07:34:30 PM |
Last Grouped Work Modification Time | Mar 02, 2024 07:34:16 PM |
MARC Record
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100 | 1 | |a Mather, George.|0 https://id.loc.gov/authorities/names/n98000448 | |
245 | 1 | 4 | |a The psychology of visual art :|b eye, brain and art /|c George Mather. |
264 | 1 | |a Cambridge ;|a New York :|b Cambridge University Press,|c 2014. | |
300 | |a xix, 195 pages :|b illustrations ;|c 26 cm | ||
336 | |a text|2 rdacontent | ||
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337 | |a unmediated|2 rdamedia | ||
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504 | |a Includes bibliographical references (pages 179-190) and index. | ||
505 | 0 | |a Art through history -- Art and the eye -- Art and the brain -- Perceiving scenes -- Perceiving pictures -- Motion in art -- Colour in art -- Visual aesthetics and art -- Visual aesthetics and nature -- Evolution and art. | |
520 | |a "What can art tell us about how the brain works? And what can the brain tell us about how we perceive and create art? Humans have created visual art throughout history and its significance has been an endless source of fascination and debate. Visual art is a product of the human brain, but is art so complex and sophisticated that brain function and evolution are not relevant to our understanding? This book explores the links between visual art and the brain by examining a broad range of issues including: the impact of eye and brain disorders on artistic output; the relevance of Darwinian principles to aesthetics; and the constraints imposed by brain processes on the perception of space, motion and colour in art. Arguments and theories are presented in an accessible manner and general principles are illustrated with specific art examples, helping students to apply their knowledge to new artworks"--|c Provided by publisher. | ||
650 | 0 | |a Art|x Psychology.|0 https://id.loc.gov/authorities/subjects/sh85007499 | |
650 | 0 | |a Visual perception.|0 https://id.loc.gov/authorities/subjects/sh85143926 | |
650 | 7 | |a Art|x Psychology.|2 fast|0 (OCoLC)fst00815321 | |
650 | 7 | |a Visual perception.|2 fast|0 (OCoLC)fst01168049 | |
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